Nevertheless, if you had a wish, would it be a special gimmick or technique? But as I am taking pictures for such a long time now, I now have a nice treasure of equipment, props and more at home. Well, that always depends on the idea! For a shooting with steel wool for example, careful planning is essential: after all, it's a fire hazard! For people photography, usually you need to get some props or decoration as well. Make it your way & try to find your own style! What about your style - are you more a spontaneous guy, or do you develop and plan your shootings long-term? There are already enough "clones" out there. Is this something you would recommend other photographers?ĭefinitely.
Of course I find inspiration, but I always try to make it my own style. When I find the time, I view hundreds of photos from different photographers a day. I never had a certain idol, but I keep my eyes open. So you combine handicraft & digital benefits for overcoming limits – nice! Is there something beside your "photography dad" that inspired you?
STACKING SOFTWARE FOR MACRO PHOTOGRAPHY PRO
And Intensify Pro by the way! As some equipment unfortunately is unbelievably expensive or just not available in the form that I need it, I construct many things on my own. Thanks a lot! I use special software and hardware-for instance, macro slide or Z-Stacking. What kind of equipment do you need for your macros? And you do really well at that! Your pictures are tremendous.
And I truly enjoy macro photography, with enlargements up to 20:1. But almost everything else is fair game: nature, people, events, fireworks. I always say "I shoot everything – except weddings." I find them too time-consuming and just not interesting for me. First outdoor portraits only, and later in my own little photo studio where I still take picture of my friends and some artists I know.Īnd what is your favorite subject currently? It took 10 years for me to discover people photography. Yes, I started with landscape and astronomy.
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And I was a lucky guy to be accompanied by a professional photographer who taught me so much – I always called him my "photography dad." This and your pictures show that your focus and style changed & developed a lot through the years. In the beginning, I learned mainly from special photo magazines, and then later from video-trainings. True, it is only a hobby for me, but you might be interested to know I am a certified optician. But it’s "only" a hobby, right? So how did you learn and improve your skills? Over the years, from analog to digital, I invested more and more time (and money!) in photography. A few months later, I was already developing and enlarging B&W pictures in a darkroom. My passion for photography started 3 ½ decades ago: I took my first pictures during a vacation in France, when I was 13. Sven: Sure - hi folks! My name is Sven Kluegl and I live in Heppenheim, a beautiful historical city & wine region in Germany. Hi Sven, we’d like to know more about you- could you introduce yourself and tell us how you got into photography? Be sure to also view his gallery on - wow! We interviewed Sven recently and came away both impressed and totally inspired about his background and style of photography. Photographers like German Sven Kluegl are exploring this frontier armed with high-tech software and hardware, techniques like Z-stacking and tools like Intensify Pro.
Selecting a region changes the language and/or content on incredible world of close-up photography is all around us. So real, it almost looks fake.” In Adobe Photoshop Lightroom, you can focus stack by using Auto-Blend Layers on several images to create one final image with crisp lines. “The goal of focus stacking is to take a photo of as many in-focus slivers as you can and then Photoshop matches them together into a fully in-focus composite image,” explains photographer Nick Ulivieri. Professional photographers use a technique called focus stacking to portray multiple objects in focus on various focal planes in one sharp image where everything is in focus, essentially mimicking a greater depth of field without any loss of definition.įocus stacking can be a key tool in product photography, macrophotography, landscape photography, and other areas where a sharp focus across the entire image would make your photo stand out. Whereas your eyes immediately adjust their focus as you look from area to area, a photo must focus on just one area at a time. This is because, especially with a longer focal length or a shallow depth of field, not everything in a single image can be in focus at once. You may have looked at a scene with your eyes and wondered why it looks different in the photo you took.
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